After a long time comes along a movie that truly makes you believe that movies in some sense capture the zeitgeist of a generation. “Zindagi Naa Milegi Dobara” defines that for the twenty somethings of an India that is gradually emerging from being the India of the 9-5 job-family-kids “settled” conservative middle class to being the free-spirited global India that takes a risk and explores its boundaries. As it explores these new horizons, there is much trepidation in the uncertainty of the future and the fear of losing the comfortable cushion of predictability.
Watching the trailer made me think that ZNMD would be a Bollywood “Hangover” with DCH like characters thrown in the mix to make it a sequel. Surprisingly it did not have any risqué jokes or run-of-the-mill bachelor party themed cringe-worthy content. As a sequel, it works even though DCH was made 10 years back. In a sense, some of the characters were cast from the same DCH mold: the brooding artist with layers that run deeper than his external persona, the hen-pecked “nicest-guy-in-the-world” character who gets tormented by the women in his life and the practical emotionally unattached guy who measures everything in terms of returns. Despite these commonalities, the personalities of these characters appeared to be well hashed out: complete with histories and baggage from the past. Also the theme revolving around these three characters has grown from being a lighthearted romantic one, to a journey of the characters facing their biggest fears, both, through potentially fatal challenges that they undertake and in breaking free from their comfortably numb lives to discover a truth about themselves. This is not to say that the movie lacked levity, in fact it was filled with “just for laughs” type gags, college humor-taking a jibe at the English challenged professor, situational humor and a Holi-like tomatino festival. The songs were great and blended easily into the story except the "Senorita" song which probably got added in as a Hrithik dance number.
Farhan did a surprisingly great job of being the inscrutable artist who used humor and juvenile pranks as a façade for a more profound inner self. As an effervescent boy trapped in a man who was unafraid to push his limits with everything and everyone, Farhan seemed to switch gears almost effortlessly. Abhay as the fun loving and incredibly sweet pacifist who could not bear to disappoint his family or his girlfriend, pulled it off with great ease. Hrithik, as the money minded practical guy who drove out every iota of emotion from his life because of his past experience, was plausible to some extent, but the portrayal of his cathartic experience post deep sea diving came off as contrived. Also his romance with Katrina seemed very superficial even though the premise that she opened his eyes to a world outside money and job security, was genuinely refreshing. The setting in Spain was an unusual choice, probably a conscious attempt to be off-beat than the hackeneyed US-London-Switzerland-Australia locales. Perhaps post ZMND, Spain will be the new Switzerland or perhaps I should say post-DCH Goa.
Most people who didn't get DCH will not get ZNMD either because they are expecting a strong core story. Both DCH and ZNMD were never about the stories, they were about the attitudes of characters in specific phases of their lives and how they interact with each other. They are about moments that trigger change. The pace of story-telling is closer to the pace at which real life moves and the personalities a closer to what you might encounter in your own life. Rather than make a movie situation-centric with players foisted into it, these movies bring out the of this generation : whether it is about finding love or about seizing the day and living it completely with no fear.