Thursday, August 10, 2006

Endure the Yarn please don't yawn

From the Author's keyboard:

Since it is short-story season I have decided to put my very first hand at fiction on the blog. Brickbats and bouquets are welcome. I am almost feeling like I did the first time I tried my hand at cooking and waited with baited breath for my guinea pigs to give me a thumbs up. Don't ask me the denouement of that exercise.
I would appreciate it if you could think of a suitable title for this.


Suleiman looked down from his precarious perch. In the sea of traffic below, he spotted a beggar heckling at the darkened windows of the Innovas and Corollas that whizzed past him with an indifferent roar. In a moment of respite that his work spared him, Suleiman quietly reflected that at least he had a respectable job that fed his family. Turning back to the giant billboard, he resumed filling the model’s bosom with a color that would entice prospective buyers to purchase the mobile phone in her hand. The brush in his hand kept swooshing effortlessly while his mind drifted to the innumerable such scantily clad models selling everything from staplers to SUVs. Semi-nudity to him signified penury and he found it rather befuddling that the richer people got, the less clothes they wore. Ironically, it was this quirk of the society that in some confounding way provided the shirt on his back.

The incessant honking from the traffic jam below snapped him out of his reverie. An unusually long fleet of sleek cars glided through the junction below. “Wonder which minister is in town today?” Suleiman thought aloud. It wasn’t a minister.

A few blocks away the journalists jostled each other to get a word, a rehearsed plastic smile, a gaffe captured onto their lenses to make it to their dailies’ front pages. As slender legs emerged from the door of the Porsche, the flashes and clicks reached a crescendo till Nayantara revealed her perfectly sculpted curves in a shimmering Versace gown. As she stepped into the art gallery, the coterie of photographers followed like Pied Piper’s mice.

At the center of the gallery stood Javed Mirza regaling his celebrated guests who hobnobbed amidst the easels that were meant to be the piece de resistance of the event. “Yes Mrs. Gupta that, in fact, was painted a year back. I was thinking of a stark theme and was deeply intrigued by this scene during my morning walk. That is when I decided that world should know about it…” explained Javedji as he tried to give a rather philistine Mrs. Gupta an insight into an artist’s thought process. He was disconcerted by nouveau riche customers who neither understood nor attempted to understand art, but instead “invested” in art like yet another trophy of the opulence and extravagance that providence showered on them. ‘Investment’ indeed! What did they think it was? Real estate? He was losing his patience as Mrs. Gupta began haggling with his agent Shukla about the price. Was he to sell it to her on a per square inch rate?

Just as he tried to waggle out of the situation, Nayantara presented her ethereal self by his side and they pecked each other on the cheek providing the scribes yet another photo-op. Mesmerized by her presence he devoted his full attention to her and guided her through his masterpieces, “See that subtle hint of gray in her eyes? Don’t you feel her sorrow?” Nayantara nodded like an automaton that was programmed to be polite. The cameras followed them like a spotlight tracing the path of figure skaters gracefully sliding across the granite floor of the gallery. “So we hear you are planning to sign-up with a leading director in Hollywood. Is it true that you will be doing movies?” prodded a scribe. “No comments.” Nayantara silenced the heckler. Javedji appeared to be absorbed in his own works.

As he approached his magnum opus he felt the same tingling spasm run through his neck as he had felt while receiving the National award for it. He lingered longer at the charcoal of a loving mother staring coyly through a veil that covered half her face and fell gently onto her bosom at which her child clung not wanting to look at the cruel world that would engulf him. “Javedji, why don’t you ever paint models?” Nayantara finally broke the aura of silence. The scribes waited with baited breath for a philosophical rant to follow. “I don’t find it challenging enough”, he said measuring his words, for he had been warned by Shukla to steer clear of any conflicts with potential clients. “Well, what if I were to request you to paint me?” Nayantara fluttered her eyelashes. Shukla broke into sweat as he contemplated over possible face-saving statements that he would have to mouth to silence the tabloids. “Now that is a request I would possibly consider worth my while.” Javedji grinned. Shukla breathed easy on hearing the miraculously affable response from the normally irascible artist.

Later as a barage of questions poured in from the journos, Shukla swiftly waived them off and swiveled Javedji towards the alcove. “Today is the last day of the exhibition Javed Mian and we haven’t been able to strike a single deal apart from the two lakhs for ‘Musings’. I think you will seriously have to do the Nayantara portrait to keep our heads above the water.” Nayantara daintily stepped into her Porsche glancing momentarily at the gigantic hoarding of herself in the latest T-mobile advertisement before zooming off.

12 comments:

Prashanth said...

Helloooo it's incomplete.... this is like the first chapter of some huge undertaking!! Good writing style and all, but finish the story and I'll supply the brickbats (pssst... I'll keep the boquets for myself)

Handful Of Hell said...

Free flowing and easy to read, me likes...

I would end this story like this.

After the "I think you will seriously have to do the Nayantara portrait to keep our heads above the water.” bit ... "Suleiman suddenly woke up from his reverie only to still find himself perched up above the traffic snarl. He simpered silently, murmuring to himself "Well, painting this portrait isn't that bad after all. When Javed Mian himself can earn his bread dallying his bristles to define her contours , why shouldn't I? At least I have a greater audience" and continued stippling Nayantara's bosom ....


PS: I am tempted to do a VC here.
"pièce de résistance"!! KK uses French in her story, Faints ... :)

Vc said...

"scantily clad models selling everything from staplers ??"Really ?? who who ??

Nayantara?? A model named N ?? Come on ..its not realistic enough.. and Suleiman (cough cough)

But why did you shift your focus from Suleiman to Javed ? Any connection,apart from the fact that they are painters ( of a diff kind).

Atleast you made an effort to write a short story. Good for you girl.

As Spee says we want more.. and Hoh..pattar... :)

Kirthi said...

SP,
Aaah you want me to complete the story. Well to tell you the truth, you are almost right: what I wrote on paper has a completely different ending. Well let's see if I manage to rejoin it to its real denouement.

Hoh,
Thanks! Vc seems to influence everybody doesn't he? Btw Suleiman doesn't even know what's happening!! Perhaps we can have a different story where Nayantara asks Suleiman to be the Leonardo Dicaprio in her Titanic :P

Vc,
IT CAN'T GET MORE REAL THAN THIS!! Off with your stoopid gnomes and laughing rattle-snakes. Well at least you saw some connection between Suleiman and Javed and you didn't say they were Muslim. Nayantara: doesn't that sound a bit snooty and diva-like?

Anonymous said...

DIVA ? DIVA ?? Kirthi i think its time you got an appointment with my Doctor..

Kirthi said...

Grr Vc stop being mean!

Vc said...

Title.. "My eyes are not on Nayantara"

The Avenger !! said...

well kirthi, guess what the last appearence i made at a art gallery had a some what similar kind of drama setting.

reminds me of MF hussain and his master piece he can never get enough off. The guy obviously doesnt have a clue what he is looking at !!!!

Prashanth said...

In case you never get around to finishing it, I guess I should supply my feedback right now....

I like the dichotomy with the painter's nonchalance at drawing the model and the artist being unwilling to do so; it brings out your disdain for crass commercialism very nicely. The painter's thoughts on nudity and penury are amusing and emphasizes your point; as well as the artist being forced to sink to the level of the rest of the world.

But... but... it feels... too incomplete, in my mind. It doesn't have a finality to it which you can use to tell your grandkids "The moral of the story is....."

Kirthi said...

SP,
Thanks a lot!
Like I said it was intended to end in a very different way and I am still trying to reroute it back to that finishing line. In any case, I will NEVER moralise in my stories. This is so not meant for grandkids.

Prashanth said...

Yeah, I know this is hardly something to tell grandkids :) but you know what I mean... its not so much about moralizing as it is about giving a crisp message or encapsulating the purpose around which the story is wrapped. Anyway, I fully intend to continue trying my hand at fiction, and I am happy to know that you will be doing so as well...

Anonymous said...

For overt first time writers,like you( are u defensive about it? if not, why hype),the process of creation becomes far more interesting then the story per se.

You prefer to begin with humour(a point manifested in almost all your articles), perhaps to capture the readers attention in a rush.

You WRITE and so fail to EXPRESS. Your quest for WRITING well, is so painfully obvious, every word tells the story of how he was won.

Narcissism, may sound crude but believe me, i am really hard up for words.

Almost all your writings are a ring side view of events around you, with you somewhere assuming a very high pedestal.

As a writer, can we afford to be so judgemental???

My suggestion- Walk inside the arena(not as a princess but a player), sweat it out, cry, shout,spread yourself,and then EXPRESS. Trust me, you will love it.
Suggested reading: Disgrace, by JM Coetzee.(No pun intended!!)